荷蘭黃金時代的生活縮影——
荷蘭黃金時代的生活縮影——
2025/01/16
2025/01/17
Floris Claesz van
Dijck的盛宴靜物畫
展覽頁面呈現形式
縱式
策展者
魏詠安
展覽封面
58076d112bb5191eabb98adc21ca2318
展覽資料
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"desc": "佛羅里斯.克拉斯.范.戴克(Floris Claesz van Dijck, 1575-1651)主要描繪荷蘭人的早餐與廚房物品,並以其細膩的物品質感刻畫與豐富的視覺效果聞名。隨著17世紀全球貿易的興起,尼德蘭經濟繁榮,進口的奢侈品和日常物品如瓷器、香料成為畫作的素材。戴克的作品往往以餐桌為場景,描繪乳酪、麵包與水果等的靜物組合,這些物品不僅是荷蘭中產階級生活富裕的象徵,更成為藝術家對物質世界描繪的再現。過往對靜物畫的研究中,主要聚焦於當時新教脈絡下,畫家作畫物件背後的宗教意涵,對單一物件的討論也大多集中於涉及宗教道德警戒與虛空寓意的解讀。因此本文希望以物件的物質面向切入,進行其來源追溯與分析考察,審視靜物畫在該特定時代背景下,如何成為紀錄與詮釋社會風貌的視覺媒介。<br><br>關鍵詞:Floris\nvan Dijck、荷蘭黃金時代、盛宴靜物畫、全球貿易、東西文化交流",
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"desc": "十七世紀的荷蘭,正處於黃金時代的巔峰,貿易、藝術與文化交織出一幅繁榮的畫卷。在這樣的背景下,靜物畫成為荷蘭地區主要的藝術表現形式,透過物品的陳列展現當時社會的物質世界與精神價值。而佛羅里斯.克拉斯.范.戴克(Floris Claesz van Dijck, 1575-1651)作為哈倫靜物畫的先驅,不僅奠定了「盛宴靜物畫」的典範,更在細膩的物品刻畫與象徵性構圖中,賦予靜物畫深刻的文化內涵。<br>戴克的作品以乳酪、麵包、水果、瓷器等物品為核心,這些元素不僅體現了荷蘭中產階級富足的物質生活,同時也作為當時東西方貿易與文化交融的具體展現,映射出荷蘭作為全球貿易樞紐的時代特徵。本研究將從物件分析的角度出發,結合藝術史與文化研究方法,試著探討戴克靜物畫中物品的來源與背景,以及它們如何在畫面中建構出荷蘭黃金時代東西文化交融的景象。<br><br>透過追溯作品中靜物元素的產地與貿易路徑,尤其關注荷蘭聯合東印度公司(Vereenigde Oost-Indische Compagnie, 1602-1799)的商業活動及中國瓷器等進口商品,了解該時代的貿易型態與物質生活。同時,研究戴克的作品在構圖與物品選擇上的獨特之處,並與同時代的靜物畫家進行比較,展現靜物畫作為時代中的生活與精神縮影的多重面向。透過本次研究揭示戴克在荷蘭靜物畫中的定位,並進一步分析畫家對靜物的描繪及再現,梳理出十七世紀荷蘭作為文化與貿易交匯點的繁榮圖景脈絡。",
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"title": "一、荷蘭的黃金時代",
"desc": "十七世紀的荷蘭憑藉其政治穩定、經濟繁榮與宗教自由,成為歐洲的經濟與貿易中心;因此荷蘭的社會結構也隨之改變,購買藝術品的客群由貴族轉向資產階級。藝術市場隨著資本主義的興起有了變化,從過往的貴族與宗教群體的委託作畫形式轉由自由市場決定的資本型態。靜物畫正是在這樣的時代背景下興起並發展,成為體現荷蘭黃金時代物質與精神世界的重要載體。",
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"desc": "在洪迪烏斯(Hendrick\nHondius I, 1573-1650)1610年的著作《一些著名畫家的肖像》<span>(<i>Pictorum aliquot celebrium\npraecipue Germaniae inferioris Effigies</i>)</span>中,記錄了戴克的肖像版畫,並且下面附有這麼一段以拉丁文撰寫的敘述:",
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"desc": "以上描述可看出戴克的繪畫主題以生動的作畫特質聞名,並且其盛宴靜物畫能為觀者帶來視覺愉悅的感受,同時陶冶心靈,洪迪烏斯對其畫作具有相當高的讚賞。在文字中也提到了戴克描繪了花朵與栩栩如生的植物主題,然而在本次研究的作品當中,並無有關於花卉相關的元素出現,因此對於此段的描述是否確實指涉畫作中的元素,又或者戴克所描繪的花卉主題作品已佚失。",
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"desc": "<span>我們也可從考古文物中,看見東西交流下的貿易物件。西菲仕蘭省考古隊在荷蘭出土的陶瓷文物中,有來自景德鎮的克拉克瓷盤、瓷杯【圖1】,同時亦有十七世紀中後期,荷蘭開始嘗試製作克拉克風格的瓷器,但因為技術尚未純熟與無法取得瓷器重要的原料「高嶺土」,因此製作出的台夫特陶器【圖2】。可以看出兩者在厚度上有明顯的差異,且釉料的使用和圖樣的精緻度也有所差異。</span>\n\n克拉克瓷(Kraak\nPorcelain),該名稱起源於葡萄牙人運載瓷器的船隻種類,亦有一說荷蘭文中的Kraaken是易碎的意思,顯示出瓷器的性質。克拉克瓷作為景德鎮燒製的外銷瓷器,內壁盤沿通常具八蓮瓣形開光形式,並繪有佛、道相關主題的圖案,盤中央則繪製山水人物、動物圖樣。<div>\n\n</div>",
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"desc": "十七世紀荷蘭黃金時代的藝術創作,尤其是靜物畫,展現了物質文化與生活的深刻交織。戴克通過其精細的描繪,不僅讓我們窺見荷蘭地區的日常生活面貌,也呈現出東西方文化交流對於物質生活的影響。<br>本文透過文獻資料與過往研究梳理十七世紀荷蘭的時代背景以及戴克的生平與繪畫特點,並深入分析其五幅作品中的物件來源,試圖還原十七世紀荷蘭人民的物質生活狀態,以及東西方文化交流如何被再現於畫作當中。我們得以發現這些靜物元素所承載的多重意涵——從物質生活的記錄到文化價值的隱喻。戴克將豐盛宴席的場景凝結為靜穆和諧的畫面,不僅反映了畫家對時代物質生活的觀察,更展現出靜物畫作為社會文化縮影的深層意涵。透過與考古資料和相關文獻的交互參照,本文嘗試從物件的角度,探索這些圖像背後的時代脈絡與文化象徵。在欣賞戴克作品的同時,我們也重新審視靜物畫如何在特定時代背景下,成為記錄與詮釋社會風貌的視覺媒介。",
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"title": "誌謝",
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