維護文化的無名匠人

維護文化的無名匠人

2023/05/16
2023/06/20
<b>與黃釋濰古蹟修復師的對話</b><br>
展覽頁面呈現形式
縱式
策展者
江秝槿
歐禹沛
顏孜昀
鄭恆元
展覽封面
093b8feb37424f9baa14df2c50c36779
展覽資料
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年,若未來有更好的修復師、更好的技術,那我們的東西是可以被取下來的,具有可再處理性。</div><div><br></div><div>除了顏料跟材料之外,我們修復中的另一個常用工具是控溫的「小熨斗」:當有的顏料已經翹起時,我們就會用適合的溫度加熱並將其整平。</div>", "musicText": "", "musicURL": "" }, "text-bbwmii67md": { "id": "text-bbwmii67md", "type": "text", "sortable": true, "musicName": "無", "weight": 24, "title": "修復個案舉例", "desc": "<div>我們團隊在台南完成的有白河大仙寺、關帝廳、馬公廟,其中馬公廟算是我獨力完成的,一個人就修了六片廟門。</div><div><br></div><div>而現在正在進行的修復作業是嘉義關廂境廟的門神。這間廟的門神修復作業十分繁複,因為廟方過去經常自行刷洗門神,導致顏料都被已被洗掉;同時因為太陽西曬嚴重的關係,所以門神上頭的顏料都已起皺,在修復上是較為麻煩的工程。</div><div><br></div><div>我們的修復個案大部分居於台灣的中南部;北部的話,則是有修過萬華龍山寺的門神。</div>", "musicText": "", "musicURL": "" }, "imgs-w8chlsmujl": { "id": "imgs-w8chlsmujl", "type": "imgs", "sortable": true, "multiObjs": [ { "oid": "0915b8a14fc77c72c5d14ed087b2b195", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/7235a5a8895b9163929a3d5c5b704f34.jpg?itok=Kpzd8S_n", "level": "primary", "title": "修復前之台南馬公廟替代門神/修復前替代門神", "desc": "此為台南馬公廟之修復完成前的門神,其特色為次門是二十四節氣。", 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展覽音檔
{}
江秝槿歐禹沛顏孜昀鄭恆元