中國近現代女性性病文學史
中國近現代女性性病文學史
2021/06/15
2021/06/18
展覽頁面呈現形式
橫式
策展者
林心嵐
林鎮宇
展覽封面
28f8b469681ba4cf08448b0eec2a2197
展覽資料
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"title": "從疾病敘事看社會樣貌",
"desc": "蘇珊桑塔格在《疾病的隱喻》一書中談及了性傳染疾病的社會意義：與性行為相關的傳染性疾病總能激起人們的恐懼，擔心容易被傳染，激發起人們在公共場合經由非性途徑被傳染的奇怪幻覺。一般對瘟疫的通常描述有一個特點：瘟疫一律來自他處。當梅毒在15世紀最後十年以流行病的形式開始肆虐整個歐洲時，人們給梅毒起的名字成了一些例證，說明人們需要把那些令人恐懼的疾病當作外來的疾病。梅毒，對法國人來說，是「法國花柳病」（French pox），對巴黎人來說，是「日爾曼病」（morbus Germanicus），對佛羅倫斯人來說，是「支那病」（Chinese disease）。不過，這類貌似對沙文主義的不可避免性所開的玩笑卻抖出了一個更重要的事實：在對疾病的想像和異邦的想像之間存在著某種聯繫。它或許就藏在有關邪惡的概念中，即不合時宜地把邪惡與非我族類（non-us）、異族等同起來。"
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"desc": "在文學中，疾病也具備其敘事意象。王冬梅在《性病隱喻與兩性身體敘事》一文中提出：性病的隱喻非常廣泛，除了暴露出道德的鬆懈或墮落，也是對這種鬆懈或墮落的懲罰。除此之外，也被視為政治隱喻，性與革命、政治之間似乎總是存在著某種神祕的內在關聯：「革命的狂歡與性具有某種氣勢上的美學對稱。」性病因此被用來隱喻廣泛的表現社會政治的混亂與腐敗。對性病的關注往往涉及對妓女生活的想像；而男性歷史主體的中心意識使其文學創作更多表現為人民倫理的大敘事，體現著民族──國家的大意義；女性的歷史邊緣處境則使女性書寫更多成為自由倫理的個體敘事。"
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"title": "1935樣貌：老舍《月牙兒》，1935",
"desc": "女主角原為一位獨立、自強、自尊的女學生，但家庭的變故和經濟的困頓最終逼迫她走上暗娼的道路；對於妓女這一特殊職業之後果──性病──被提了出來：女性身體的沉淪與性病之間的自然聯繫程為男權文化的一種基本思維方式。性病的傳染特質被凸顯，在作者的表述中，性病成為女性向黑暗社會報復的工具。<br><br>全文由此去：<a target=\"_blank\" rel=\"nofollow\" href=\"https://www.ppzuowen.com/book/laoshezuopinji/yueyaer/\">https://www.ppzuowen.com/book/laoshezuopinji/yueyaer/</a>",
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