民間的造神者

台灣神像雕刻的工藝與發展<b></b>

展覽頁面呈現形式

橫式

故事地圖

神像雕刻產業在台灣的分佈

策展者

李佳耘

黃楚璇

溫品淳

蒙美金

展覽封面

75f84306a34c143a110de6300eaa7602

展覽資料

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"background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/98db80b7b6705dd097ecfa47bfa944a0.jpg?itok=w4Iv30v2", "mfid": "98db80b7b6705dd097ecfa47bfa944a0", "musicURL": "", "musicName": "", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/98db80b7b6705dd097ecfa47bfa944a0.jpg?itok=4mzkjSTH", "fileType": "image", "fileCreator": "", "rights": "雲林縣政府文化觀光處", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false, "level": "primary" }, "title": "雕刻前後要做的事", "desc": "<span><b>開斧<br></b>為神像雕刻流程的第一道科儀，時機為選材完成後正式動工前。需先選定吉日，準備祭祀物品，念開斧咒，由雕刻師傅在木材上輕砍三下或七下，象徵賦予木材三魂七魄。<br><b>入神<br></b>當雕刻作業完成後，需進行儀式才能讓神明之力進入神像中。通常會擇黃道吉日，準備祭祀用品及寶物，常見的寶物包含七寶(金、銀、銅、鐵、錫、珍珠、瑪瑙)以及香火與活體(如虎頭蜂)，藉助寶物之氣及活體的魂魄使神像產生靈氣。<br><b>開光<br></b>目的類似於入神，希望賦予神像靈力。主要流程為至廟中請法師主持儀式，法師念咒，取公雞冠上鮮血，以硃砂筆沾血於小鏡子上寫符咒，並以筆在神像雙眼各點一下即完成儀式，象徵驅煞。<br><b>安神位<br></b>在將神像請入家中前，通常會請專業風水師看家中適合擺放神像的方位，擇吉日將其請至家中並祭拜之，以確保神明的護祐全家平安，也能避免神像處於不好的位置並為家庭帶來災禍。<div><br></div></span>", "musicText": "", "musicURL": "" }, "theme-ql5y38v76b": { "id": "theme-ql5y38v76b", "type": "theme", "sortable": true, "primaryObj": { "oid": "0491f0e4b1c0f3f93d862f8c3e6904a3", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/5477f81fe8c012e173cb34d19534b7f8.jpg?itok=MjXSELc4", "level": "primary", "title": "神偶雕刻", "desc": "", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/5477f81fe8c012e173cb34d19534b7f8.jpg?itok=1M5QS5re", "thumbMediumURI": 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"background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/8da481465759230fe37f15dcf0b0d875.jpg?itok=VPKfPHHB", "mfid": "8da481465759230fe37f15dcf0b0d875", "musicURL": "", "musicName": "", "fileCreator": "人樂軒", "rights": "臺南市政府文化局", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示-非商業性", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false } }, "title": "誌謝", "desc": "<span><b>特別感謝：佛山軒佛具行</b><br><br>參考書目<br></span>李隆楙（2009）。臺灣神像雕刻的技藝傳承與流派特色初探。<span><span><b>玄天上帝信仰文化藝術國際學術研討會論文集</b>，黃發保主編。</span><br><span>臺北市立文獻館（2018）。「北臺粧佛工藝保存者」口述歷史座談會會議紀錄。<b>臺北文獻</b>，(203)，7-42。</span><br>鄭欣怡（2007）。妝佛藝師技藝學習與經驗傳承之個案研究﹝碩士論文﹞。國立臺灣師範大學社會教育學系。 <br><span>鄭豐穗（2008）。<b>台灣木雕神像之研究</b>﹝碩士論文﹞。國立臺南大學台灣文化研究所。</span><br>石弘毅（1994）。台灣神像的雕刻藝術，<b>臺灣文獻季刊</b>，<i>45</i>(4)，113-122。</span><br>", "weight": 21 } }

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