排灣族佳興部落文手家族系譜調查紀錄

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"fileCreator": "", "rights": "邱霄鳯", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": "1", "sourceID": "", "creator": "", "fileOversize": false }, "title": "排灣族佳興部落文手家族系譜調查紀錄", "desc": "邱霄鳳idis sadjiljapan", "textColor": "white", "weight": 0 }, "text-rar20vwphp": { "id": "text-rar20vwphp", "type": "text", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 1, "desc": "<div>佳興是排灣族的聚落，排灣名為Puljetji，（部分文獻羅馬拼音為Pulci或</div><div>Puntei）。在清光緒年間屬於台南府鳳山縣番社，文獻用「糞池社」或「糞箕</div><div>社」。日治初期屬阿猴廳潮州支廳，大正九年後改由高雄州潮州支廳佳平駐在</div><div>所管轄，舊地名「布勒地社」（台灣地名辭書卷四 2001: 791）。舊佳興是許多</div><div>台東排灣族部落，及來義鄉部落某些家團的發源地。日據時期屬高雄州潮州</div><div>郡，puljetji佳興部落直到日治時期部落舊址均坐落於南大武山西側，大後溪上</div><div>游瓦魯斯溪左岸（標高約877公尺）的無名山北側山腰，並隔著此溪與舊佳平社</div><div>及舊泰武社對望。</div><div>Puljetji佳興部落於民國34年-38年隸屬高雄縣泰武鄉，民國39年之後屬屏東</div><div>縣泰武鄉，光復後正式改名為佳興村，遷入現址佳興村是屏東縣泰武鄉最南邊</div><div>的行政村，位於北大武山分支山稜，村落在整個佳興地理區域之西側，位於瓦</div><div>魯斯溪右岸，村落朝南向，海拔約330公尺，目前住戶約九十戶，人口大約近五</div><div>百人，在泰武鄉六個村中，人數最少卻保有最豐富的文化，口述史、歌謠、木</div><div>雕技術、手紋紀錄都保存得非常完整。</div>", "title": "佳興起源故事", "musicText": "", "musicURL": "" }, "highlight_basic-7jkz0mz7gp": { "id": "highlight_basic-7jkz0mz7gp", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "5e68f86cb16383abf9ffc6f1f542a51d", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/1a25c3debe0a83d615f8328b3ee659c7.jpg?itok=EkgdsfXU", "level": "primary", "title": "二當家公主 邱賴秀珠ljuzem文手", "desc": "", "thumbURI": 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lima，在佳興的傳說裡，強調部落的發源，有來自平地的</div><div>原住民與山地來的原住民，相互結合的故事。所以它的傳統領域，從南大武山</div><div>(sarekuman)綿延到東港(tuku)。在傳統的部落權力的概念裡，最要的是土地、</div><div>人民、山川、狩獵區的管理權。部落傳遞這些分層管理的理念，使用紋樣、紋</div><div>飾 (vincikan)來呈現、在歌謠的語詞差別來描述分級的概念、也用故事的寓言來</div><div>警示大家遵守。紋樣、紋飾(vincikan)會出現在家屋的樑柱或日常生活的用具</div><div>上、另外有衣服的圖像、身上及手上的圖紋。這些圖紋代表部落特有的家團，</div><div>每個圖紋都有著不同的意涵，也依序規定可使用的家族。</div><div>台灣原住民文化雖經過日本殖民及國民政府的統治，但至今仍屹立不搖，</div><div>努力的復振既有的文化， 這個過程很辛苦， 佳興部落的傳統領袖</div><div>(mamazangiljan)孫江萬花女士，曾感慨的這麼說：「我們不能讓傳統文化倒</div><div>下，因為人已經斷層，文化不能斷層，部落的故事不能在我們這一代結束」。</div><div>文化的復振的確不容易，就以文手而言，曾經是榮譽的象徵，但經過兩次日</div><div>治、國民政府初期的禁令之後，直到50年初才逐步解禁傳統文化，現在仍面臨</div><div>消失的危機。</div>", "musicName": "無", "musicTip": "聽導覽", "weight": 2, "musicText": "", "musicURL": "" }, "highlight_basic-1lnwjylac1": { "id": "highlight_basic-1lnwjylac1", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "f6fbb17f94fbd659e29e47d27af80ec7", "fileType": "video", "fileURI": 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