《縱橫古今地獄遊》

《縱橫古今地獄遊》

2024/06/04
2025/01/23
地獄觀的轉譯與再現
展覽頁面呈現形式
縱式
故事地圖
世界地獄觀
策展者
彭俊銘
黃芊甯
曾子恩
林家綺
侯婷譯
指導老師:王聖閎 國立中央大學藝術學研究所助理教授
課程:「數位化藝術史」(112學年度第2學期)
展覽封面
b4eab0cf6f5d82984855922890af54c9
展覽資料
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Cicero)、托勒密(Claudius Ptolemaeus)……", "musicText": "", "musicURL": "" }, "text-uft02ecqvy": { "id": "text-uft02ecqvy", "type": "text", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 13, "title": "第七層:施暴者", "desc": "第七層守衛為米諾陶洛斯(Minotaur)——克里特島的牛頭怪。第七層依對象的不同分為三圈。第一圈為對他人(他),殺人和擄掠者在沸騰的血河中受刑,若亡魂欲逃避刑罰將被人馬們用弓箭射穿雙眼;第二圈為對自身(我),自殺和敗家者將化作樹在妖鳥之林中受妖鳥的啄食之苦;第三圈為對神、自然(非人),瀆神、雞姦和放高利貸者在燃燒的無垠沙漠與降下的大片火雨中受刑,是最為深重的罪孽。", "musicText": "", "musicURL": "" }, "text-mnmqyc0jfk": { "id": "text-mnmqyc0jfk", "type": "text", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 14, "title": "第八層:欺詐者", "desc": "第八層共有十囊,十囊細分出十種不同的欺詐行為。其中,第三囊懲罰買賣聖職者,其身體被倒埋在一個小坑洞,腳掌著火,此囊的設定反映了但丁所處時代教會的不義行為,更是作為但丁對社會上此一現象極度不滿的投射。另外,〈地獄篇〉中設定的許多刑罰都高度對應著生前的罪行,例如:第四囊對預言者的刑罰為眼睛長在背後,看不見前方、第六囊對偽君子的懲罰為穿著鍍金的鉛衣,頗具「以牙還牙,以眼還眼」的意味。", "musicText": "", "musicURL": "" }, "text-fpgl40b5gf": { "id": "text-fpgl40b5gf", "type": "text", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 15, "title": "第九層:背叛者", "desc": "第九層分為四界,分別為出賣親屬者的該隱界、出賣祖國或所屬團體者的安忒諾耳界、出賣客人者的多利梅界、出賣恩人者的猶大界。由此四界的命名可知,但丁《神曲》〈地獄篇〉繼承著聖經經典,顯示文藝復興從傳統宗教觀點轉向人文主義觀點的過渡特性,《神曲》中常能看見在宗教經典的基礎上,加諸反映現世與理性的詮釋轉向,強調人本但不反對宗教。", "musicText": "", "musicURL": "" }, "highlight_basic-jh22q3rp7z": { "id": "highlight_basic-jh22q3rp7z", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "7fb35e6916e92202d28662f2f91044d2", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/d0c62e2c018e66140f2035754ae9473a.jpg?itok=PRo0A6wo", "level": "primary", "title": "地獄草紙/地獄草紙_1", "desc": "這幅畫中描繪了倒在地上、鮮血橫流的人和因被烈焰焚燒而痛苦到面孔扭曲的人等,悲慘無比的畫面令人目不忍睹。佛教認為,人死後會根據其生前的行為而轉世投胎到六界之一。而六界中最為痛苦的就是地獄。這件作品描繪的就是講述佛教教義的經典之一《正法念處經》中所宣揚的地獄情景。\n讓我們來看一下地獄中的情形。這四個場景全都是因酒而犯下各種罪行的人所遭受的痛苦。前兩個場景以備受折磨的人為視角進行描繪,後兩個場景則風格一變,以俯視角度描繪了受到懲罰的人。每個場景的構圖都各不相同,清晰地表現出各種罪狀所受的不同嚴懲。所有場景都是以簡潔的黑色和紅色來營造出地獄的淒慘景象,是一幅堪稱「地獄指南圖」的作品。\n這種地獄圖蘊含了惡有惡報的訓誡之意。與此同時,也滿足了想要親眼看看佛經中所說的地獄到底是怎樣一番景象的人的好奇心。", "thumbURI": 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"《地獄草紙》所有場景皆以壓抑的灰黑色與象徵鮮血的紅色,來營造出地獄的淒慘景象,是一件堪稱「地獄指南圖」的作品。", "musicName": "無", "musicTip": "聽導覽", "weight": 16, "musicText": "", "musicURL": "" }, "basic-bi8vilzjil": { "id": "basic-bi8vilzjil", "type": "basic", "sortable": true, "primaryObj": { "oid": "7fb35e6916e92202d28662f2f91044d2", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/40f754a836788a549208217ef4ca07b3.jpg?itok=WlrRdn_c", "level": "primary", "title": "地獄草紙/地獄草紙_2", "desc": "這幅畫中描繪了倒在地上、鮮血橫流的人和因被烈焰焚燒而痛苦到面孔扭曲的人等,悲慘無比的畫面令人目不忍睹。佛教認為,人死後會根據其生前的行為而轉世投胎到六界之一。而六界中最為痛苦的就是地獄。這件作品描繪的就是講述佛教教義的經典之一《正法念處經》中所宣揚的地獄情景。\n讓我們來看一下地獄中的情形。這四個場景全都是因酒而犯下各種罪行的人所遭受的痛苦。前兩個場景以備受折磨的人為視角進行描繪,後兩個場景則風格一變,以俯視角度描繪了受到懲罰的人。每個場景的構圖都各不相同,清晰地表現出各種罪狀所受的不同嚴懲。所有場景都是以簡潔的黑色和紅色來營造出地獄的淒慘景象,是一幅堪稱「地獄指南圖」的作品。\n這種地獄圖蘊含了惡有惡報的訓誡之意。與此同時,也滿足了想要親眼看看佛經中所說的地獄到底是怎樣一番景象的人的好奇心。", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/40f754a836788a549208217ef4ca07b3.jpg?itok=X1uh94NX", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/40f754a836788a549208217ef4ca07b3.jpg?itok=piWw7VZ5", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/40f754a836788a549208217ef4ca07b3.jpg?itok=HwRJ5sXH", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/40f754a836788a549208217ef4ca07b3.jpg?itok=GQTDFFG_", "mfid": "40f754a836788a549208217ef4ca07b3", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "東京國立博物館", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "創用CC 姓名標示", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "髮火流地獄", "desc": "墮入髪火流地獄者,是因為在生前除犯下殺生、偷盜、邪淫和飲酒,還對守五戒的人灌輸「酒不是戒」的思想,讓對方破戒飲酒。在髮火流地獄中,會有烙鐵般滾燙的狗來咬罪人的腳,也會有鐵鷲來吃食他們的腦袋,罪人的頭和腳血流如注。", "musicName": "無", "musicTip": "聽導覽", "weight": 17, "musicText": "", "musicURL": "" }, "basic-qakxlpiu3m": { "id": "basic-qakxlpiu3m", "type": "basic", "sortable": true, "primaryObj": { "oid": "7fb35e6916e92202d28662f2f91044d2", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/1ccd53dbe11da71ac74c152f651c378c.jpg?itok=aDGpeL__", "level": "primary", "title": "地獄草紙/地獄草紙_3", "desc": "這幅畫中描繪了倒在地上、鮮血橫流的人和因被烈焰焚燒而痛苦到面孔扭曲的人等,悲慘無比的畫面令人目不忍睹。佛教認為,人死後會根據其生前的行為而轉世投胎到六界之一。而六界中最為痛苦的就是地獄。這件作品描繪的就是講述佛教教義的經典之一《正法念處經》中所宣揚的地獄情景。\n讓我們來看一下地獄中的情形。這四個場景全都是因酒而犯下各種罪行的人所遭受的痛苦。前兩個場景以備受折磨的人為視角進行描繪,後兩個場景則風格一變,以俯視角度描繪了受到懲罰的人。每個場景的構圖都各不相同,清晰地表現出各種罪狀所受的不同嚴懲。所有場景都是以簡潔的黑色和紅色來營造出地獄的淒慘景象,是一幅堪稱「地獄指南圖」的作品。\n這種地獄圖蘊含了惡有惡報的訓誡之意。與此同時,也滿足了想要親眼看看佛經中所說的地獄到底是怎樣一番景象的人的好奇心。", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/1ccd53dbe11da71ac74c152f651c378c.jpg?itok=jZidxKuG", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/1ccd53dbe11da71ac74c152f651c378c.jpg?itok=mZe741kj", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/1ccd53dbe11da71ac74c152f651c378c.jpg?itok=iHlGskyo", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/1ccd53dbe11da71ac74c152f651c378c.jpg?itok=ujts_e2f", "mfid": "1ccd53dbe11da71ac74c152f651c378c", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "東京國立博物館", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-03.png?itok=h0rkcAOw", "fileLicence": "創用CC 姓名標示", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "火末蟲地獄", "desc": "而在火末蟲地獄受苦的罪人,他們除了賣酒外,還故意在酒中參雜水並以原價標售,牟取暴利。這些罪人所受的罰則是有蟲從其身破體而出,以其皮肉、脂血、骨髓為食糧,每天遭受不斷咬噬之苦。", "musicName": "無", "musicTip": "聽導覽", "weight": 18, "musicText": "", "musicURL": "" }, "basic-1emdtg6vpf": { "id": "basic-1emdtg6vpf", "type": "basic", "sortable": true, "primaryObj": { "oid": "7fb35e6916e92202d28662f2f91044d2", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/85393f2f5a33930ee01bbc3851af7fca.jpg?itok=NsqNA9Wv", "level": "primary", "title": "地獄草紙/地獄草紙_5", "desc": "這幅畫中描繪了倒在地上、鮮血橫流的人和因被烈焰焚燒而痛苦到面孔扭曲的人等,悲慘無比的畫面令人目不忍睹。佛教認為,人死後會根據其生前的行為而轉世投胎到六界之一。而六界中最為痛苦的就是地獄。這件作品描繪的就是講述佛教教義的經典之一《正法念處經》中所宣揚的地獄情景。\n讓我們來看一下地獄中的情形。這四個場景全都是因酒而犯下各種罪行的人所遭受的痛苦。前兩個場景以備受折磨的人為視角進行描繪,後兩個場景則風格一變,以俯視角度描繪了受到懲罰的人。每個場景的構圖都各不相同,清晰地表現出各種罪狀所受的不同嚴懲。所有場景都是以簡潔的黑色和紅色來營造出地獄的淒慘景象,是一幅堪稱「地獄指南圖」的作品。\n這種地獄圖蘊含了惡有惡報的訓誡之意。與此同時,也滿足了想要親眼看看佛經中所說的地獄到底是怎樣一番景象的人的好奇心。", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/85393f2f5a33930ee01bbc3851af7fca.jpg?itok=DD0QazHP", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/85393f2f5a33930ee01bbc3851af7fca.jpg?itok=hyBi5OA9", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/85393f2f5a33930ee01bbc3851af7fca.jpg?itok=17PPxWj5", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/85393f2f5a33930ee01bbc3851af7fca.jpg?itok=JyzvGNbw", "mfid": "85393f2f5a33930ee01bbc3851af7fca", "musicURL": "", "musicName": "", "fileCreator": "", "rights": "東京國立博物館", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "創用CC 姓名標示", "fileDisableLink": 0, "sourceID": "", "creator": "", "fileOversize": false }, "title": "雲火霧地獄", "desc": "<span>雲火霧地獄,顧名思義是一團巨大的火焰將罪人的身影全都吞噬。雲火霧地獄的編排以佔面版八成的大火焰為主,被譽為日本三大火焰名畫。火焰是有分枝的,火焰的尾端較紅,而火焰越靠近火源內部,使用的白色便越多。這是迦樓羅(Garuḍa,即大鵬金翅鳥)形狀的火焰,常用於日本佛教繪畫中。<br></span>", "musicName": "無", "musicTip": 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"" }, "highlight_basic-3vy0dz74qy": { "id": "highlight_basic-3vy0dz74qy", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "f0875e60676761999506a63a5b1d515b", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/a80317ac58ffe740bace3523560200b9.jpg?itok=iwRSbW-N", "level": "primary", "title": "古今地獄圖像", "desc": "", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/a80317ac58ffe740bace3523560200b9.jpg?itok=_vYq8qby", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/a80317ac58ffe740bace3523560200b9.jpg?itok=3UVi973t", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/a80317ac58ffe740bace3523560200b9.jpg?itok=YyOIx2wl", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/a80317ac58ffe740bace3523560200b9.jpg?itok=NXUAmb2o", "mfid": "a80317ac58ffe740bace3523560200b9", "musicURL": "", "musicName": "", "fileCreator": "Gerd Eichmann", "rights": "彭俊銘", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-01.png?itok=DszBk5va", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 1, "sourceID": "", "creator": "", "fileOversize": false }, "title": "埃及死後地獄觀", "desc": "<span>在埃及人心中,人一生的言行均會如實反映在心臟的重量上。因此,當死者抵達冥界後,阿努比斯會引領死者進入審判廳,死者必須先回答一系列神明的提問。之後,阿努比斯會把心臟取出,放在象徵絕對公正的天秤上。天秤的另一方則放著瑪特神(Maat)的真實之羽,圖特神(Thoth)將記錄裁決的結果。假如人的行為違反自然秩序、作惡多端,則心臟會比羽毛更重,令天秤傾斜向心臟一方;反之,若人一生篤信教義、忠誠善良,則天秤兩邊便會平衡。此時,埃及冥神歐西里斯(Osiris)會戴著皇冠,高坐在寶座上,身邊伴隨著數十位神明。歐西里斯會宣佈天秤的結果,從而作出死後裁決。若心臟和羽毛重量均等或是羽毛重於心臟,死者就會被阿努比斯引到歐西里斯面前,從而得到永生;相反,若罪人的心臟比羽毛重,死者的心臟將會被阿穆特(Ammut)——鱷魚頭、獅子身、河馬後腿的惡魔——所吞食。<br><br></span>此時埃及冥神歐西里斯(Osiris) 會戴著皇冠,高坐在寶座上,身邊伴隨著數十位神明。歐西里斯會宣佈天秤的結果,從而作出死後裁決。若心臟和羽毛重量均等或是羽毛大於心臟的重量,死者就會被阿努比斯引到歐西里斯的面前,從而得到永生;相反地,若罪人的心臟比羽毛重,死者的心臟將會被阿穆特(Ammut)——鱷魚頭、獅子身、河馬後腿的惡魔——所吞食。", "musicName": "無", "musicTip": "聽導覽", "weight": 21, "musicText": "", "musicURL": "" }, "highlight_basic-fbyynzneev": { "id": "highlight_basic-fbyynzneev", "type": "highlight_basic", "sortable": true, "primaryObj": { "oid": "f0875e60676761999506a63a5b1d515b", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/d73ead6536eafd39e9de375fcc87c7a1.jpg?itok=MXCBDzAh", "level": "primary", "title": "古今地獄圖像", "desc": "", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/d73ead6536eafd39e9de375fcc87c7a1.jpg?itok=3F3QkCFi", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/d73ead6536eafd39e9de375fcc87c7a1.jpg?itok=W06ArP63", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/d73ead6536eafd39e9de375fcc87c7a1.jpg?itok=AH0XfTDj", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/d73ead6536eafd39e9de375fcc87c7a1.jpg?itok=17rUuGU-", "mfid": "d73ead6536eafd39e9de375fcc87c7a1", "musicURL": "", "musicName": "", "fileCreator": "Gerd Eichmann", "rights": "彭俊銘", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-04.png?itok=gq-PTcKL", "fileLicence": "著作權利所有-可用於本站提供的服務", "fileDisableLink": 1, "sourceID": "", "creator": "", "fileOversize": false }, "title": "伊斯蘭信仰的巴爾撒克與哲罕南", "desc": "《可蘭經》中,地獄被稱為哲罕南(Jahannam)或格亨那(Gehenna),出自希伯來聖經的欣嫩子谷(Gey-Hinnom),意譯則為「火獄」。欣嫩子谷是將小孩丟入火中獻祭的地點,哲罕南外型為由寬逐漸變窄的漏斗形,裡面充滿永遠不熄滅的火焰,伊斯蘭傳統相信哲罕南的火比地球上的火還要熱 69 倍。<br><br>《可蘭經》和《聖訓》(Hadiths,收錄先知穆罕默德教導的傳統觀念,與《可蘭經》並列為重要教義指引)的經文中,皆把「火」是為天堂的相反對照。為了襯托天堂的美好,地獄存在各式各樣的酷刑。上天堂與下地獄的主要入口甚至同在天堂的最底層,等待進入地獄的人得看著品德端正的人進入天堂。注定進入地獄的人會央求上天堂的人施捨阿拉(Allah)供給的水,但永遠會被拒絕。", "musicName": "無", "musicTip": "聽導覽", "weight": 22, "musicText": "", "musicURL": "" }, "theme-t1fwkkr07f": { "id": "theme-t1fwkkr07f", "type": "theme", "sortable": true, "primaryObj": { "oid": "6a2c62c3daa68de073e00f70874a6b96", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/eb651d1c3fbbcae8cd56b72a43f5b484.jpg?itok=40Dt-b4c", "level": "primary", "title": "機車待轉格", "desc": "臺灣特有的機車待轉區。_x000D_", "thumbURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/square_thumbnail_100/mcode/eb651d1c3fbbcae8cd56b72a43f5b484.jpg?itok=n-oVsYmf", "thumbMediumURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_medium/mcode/eb651d1c3fbbcae8cd56b72a43f5b484.jpg?itok=fz0E7LdB", "thumbBigURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/thumbnail_big/mcode/eb651d1c3fbbcae8cd56b72a43f5b484.jpg?itok=NGSrlBoz", "background": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1920/mcode/eb651d1c3fbbcae8cd56b72a43f5b484.jpg?itok=VgZgQPwh", "mfid": "eb651d1c3fbbcae8cd56b72a43f5b484", "musicURL": "", "musicName": "", "fileCreator": "Lin, MeiHo", "rights": "數位島嶼", "rightsLogo": "https://plaza.openmuseum.tw/files/muse_plaza/styles/square_thumbnail_100/public/default_rights/memder_non-02.png?itok=fGKM5I0r", "fileLicence": "創用CC 姓名標示-非商業性-相同方式分享", "fileDisableLink": "0", "sourceID": "", "creator": "", "fileOversize": false }, "title": "現代的類地獄", "desc": "<span>最後,我們將腳步踏至現代領域,從過往狹義觀念延伸到現代廣義意象。「地獄」一詞如何被轉譯與使用?從影視作品與流行語中,我們將從現今視角一探地獄對於現代人的存在意義。<div><br></div></span>", "musicName": "無", "musicTip": "聽導覽", "weight": 23, "musicText": "", "musicURL": "" }, "basic-jwcchb29dr": { "id": "basic-jwcchb29dr", "type": "basic", "sortable": true, "primaryObj": { "oid": "f0875e60676761999506a63a5b1d515b", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/8874828a3b0da630d887c2e89b4b6862.jpg?itok=yB6B5z5n", "level": "primary", "title": "古今地獄圖像", "desc": "", "thumbURI": 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"<span>你有沒有注意到呢?現代人已經將「地獄」一詞融入日常生活。舉例來說,台灣社會所謂的「行人地獄」,是指道路狀況與環境使行人感到不友善甚至不安全的情況,進而導致交通事故的發生。包含違規行車或停車、人行道被霸佔與壓縮等等。<br><br>「行人地獄」一詞來自國際媒體美國新聞頻道 CNN(Cable News Network)在 2022 年 12 月 6 日發表的一篇標題為《Taiwan’s ‘living hell’ traffic is a tourism problem, say critics》的報導,認為台灣的交通狀況對於行人來說簡直是地獄。在疫情趨緩、開放旅遊後,若想留住國際觀光客,必須先改善道路安全的情況。美國國務院警告民眾:「要警惕在道路上穿梭的眾多腳踏車和摩托車,過馬路時千萬要注意,因為有許多司機不尊重行人的優先通行權。」而加拿大政府更是直言不諱:「摩托車司機不遵守交通法規,他們相當魯莽。」<br><br><div><span>附圖為台北市大安區捷運六張犁站附近人行道。該站單日進出人流約有 2 萬人次,不過可以看到人行道因機車停車格以及工地突出的關係被壓縮,造成穿梭不便,難以確保 90 公分的最低保障行人通過寬度。<div><br></div></span></div></span>", "musicName": "無", "musicTip": "聽導覽", "weight": 24, "musicText": "", "musicURL": "" }, "basic-rlmcygrc7i": { "id": "basic-rlmcygrc7i", "type": "basic", "sortable": true, "primaryObj": { "oid": "f0875e60676761999506a63a5b1d515b", "fileType": "image", "fileURI": "https://plaza.openmuseum.tw/files/muse_plaza/muse_styles/w1024/mcode/c256547cfaa622912e5a8913570c96ca.jpg?itok=BshliyBQ", "level": "primary", "title": "古今地獄圖像", "desc": "", 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"<span>附圖為台北市松山區敦化北路巷弄。可以看到專門為行人劃設的綠色區塊因機車停車格的設置被截斷,產生這樣荒謬的景象。巷弄內空間本來就較狹窄,需要讓行車與行人通過,若此時汽機車駕駛用路觀念有所不足,就可能發生交通悲劇。<br><br>時至今日,行人地獄依舊存在於我們的生活,仍然有許多駕駛未能停下車輛或是減速禮讓,而造成行人發生意外。根據內政部警政署統計,2023 年行人因交通事故身亡人數為 380 人,受傷人數更是高達 17280 人。</span><span>這可能是因為台灣的道路並非由中央政府統一管轄,而是由數個縣市政府機構處理,因此責任劃分複雜,難以統一推動改善方針。同時,無論是駕駛還是民眾,對於道路安全以及合理使用的認知有所差距,用路人優先觀念不夠普及,導致悲劇依然上演。<br><br>立法院在 2023 年 11 月 21 日三讀通過了《公路法》部分條文的修正案,其中第 33 條明訂公路設計、施工、養護以及交通工程需要以人為本。如何讓公民意識從「車本主義」轉化為「人本主義」,是化解「行人地獄」的關鍵之一。</span>", "musicName": "無", "musicTip": "聽導覽", "weight": 25, "musicText": "", "musicURL": "" }, "text-wd17lpntq0": { "id": "text-wd17lpntq0", "type": "text", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 26, "title": "與神同行", "desc": "<span>除了日常用語,當今影視作品也不乏地獄相關的主題,但隨著文化的演變與思想的差異,這些作品的「地獄」概念或許已經和傳統地獄觀有所區別。現在就讓我們透過大銀幕,以當今視角一探地獄的轉變。<br><br>《與神同行》是於 2017 年上映的韓國電影,改編自漫畫家周浩旻的同名創作漫畫,內容描述一位英勇的消防員,在一次救援任務中意外身亡,進入死後世界,由三名使者引入地府,需經過七大地獄的審判,才能成功轉世。《與神同行》中的地獄設定來源於「十殿閻王」之說,即負責掌管地獄和審判亡者的十位大王;而在電影中,十王所屬的十殿被縮減為七殿,包含審判「說謊」、「怠惰」、「不義」、「背叛」、「暴力」、「殺人」、「天倫」共七種罪行的地獄,仍不脫離傳統佛教地獄分層概念。<br><br>然而,在傳統地獄的框架之下,《與神同行》又增添了現代概念,使得劇情更具深度與趣味。首先,三位帶領亡者的死神,在一重重的審判中,扮演的是類似辯護律師的角色,在審判中為亡者進行舉證與辯論攻防,使其得以減輕或免除罪刑。傳統地獄觀中未見像這樣的描述,有罪與否是黑白分明的,但「與神同行」將現代人權觀念引入地獄,在信仰當道的概念裡增添法治社會的色彩。再者,電影對於善惡邊界的描述也多加著墨,主角身為地獄難得一見,善良正義且極有可能成功投胎的「貴人」,竟也曾經因家境貧困、負擔過重,動過心思將重病的母親害死,最後他沒有真的殺死母親,懷著愧疚感逃家,並拼命救災賺錢寄回家中持續十五年。關於此事的審判中,他因獲得母親的原諒而被判無罪。主角的遭遇不僅反映了人性沒有絕對的善惡,《與神同行》跳脫善惡二元的模式,以更加現代化的思維立下新的地獄規則:「在生前取得當事人原諒之罪,無罪。」<br><br>《與神同行》雖無法代表及包含所有現代人的地獄觀,但其內容仍引起我們對死亡,對罪與罰,以及對地獄的反思。</span>", "musicText": "", "musicURL": "" }, "quote-oleiic9itj": { "id": "quote-oleiic9itj", "type": "quote", "sortable": true, "musicName": "無", "musicTip": "聽導覽", "weight": 27, "desc": "地獄觀的建構奠基於人間,「地獄」一詞瀰漫著濃重宗教色彩,然而,其存在的罪罰觀念卻始終不離人世。<br><br>在遊歷了「地獄」看見過去、異文化與自身現世生活後,你相信你的腳底下也有地獄嗎?", "musicText": "", "musicURL": "" }, "thanks": { "id": 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展覽音檔
{ "29501": "public://muse_exhibition_sound/LYZ0302.mp3" }
彭俊銘黃芊甯曾子恩林家綺侯婷譯指導老師:王聖閎 國立中央大學藝術學研究所助理教授 課程:「數位化藝術史」(112學年度第2學期)