心領神獸
心領神獸
2021/06/15
2021/06/23
神來一筆 百獸爭鳴
展覽頁面呈現形式
橫式
策展者
張藝涵
林瑄庭
郭恩惠
翁菡隃
黃歆容
吳佳妮
劉品宜
張詠智
陳真怡
林千郇
陳靖誼
展覽封面
ba34f536ce8e5e32edcb68c12d2f54cc
展覽資料
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"desc": "三官大帝在道教史上有崇高的地位，為天官、地官和水官，分別主賜福、赦罪和解厄。本幅展現了三官出巡護佑眾生的場景，地官背後崖壁上的松樹向上延伸至天官儀衛，而山崖下則以波濤銜接水官，構圖上富有連貫性。\n天官乘坐麒麟牽引的車輿，地官騎坐白麟，而水官則御龍，畫中神獸不僅加深人們對三官的印象，也增添祥瑞之氣。",
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"desc": "<div>在過去交通技術不發達的時期，人類僅能以自己親眼所見，搭配口耳相傳的消息建構出自己所生活的社會樣貌，再利用手中的畫筆記錄世界。</div><div>我們深受古人們描繪珍奇異獸的作品吸引，細節的雕琢、物種的寓意、色彩的運用⋯⋯，都讓我們歎為觀止。</div><div>面對這些不熟悉的生物，往往以想像力補足缺失的訊息，憑藉手藝的進步，藝術的載具從文字、繪畫，更近一步到工藝器物上，古人對於世界的想像轉為實體，成為流傳世世代代的不朽藝術。這些兼有美與功能的偉大傑作，一方面滿足了文人的雅興，另一方面也是後世得以一窺過往的重要報告。</div><div><br></div><div>因此我們根據文物中圖像繪製的各種目的，展覽依序以：「文字」、「宗教」、「物器」、「真實存在」四個展區，展示這些文物藝術中對珍禽異獸的珍貴紀錄。</div><div>展件內容包括以動物為主軸，並以不同載具為分類，以文字對動物的敘述作為展覽序幕。第二展區以宗教渲染的視角所建構的動物樣貌，富有魔幻色彩。</div><div>第三展區是藝術躍然於物器上，細節的裝飾，讓人歎為觀止。以《坤輿全圖》為例，17世紀以歐洲觀點，結合中西交流的知識，由傳教士南懷仁轉譯繪製的世界地圖。第四展區展示的過去可靠的資訊，流傳後世的寶貴物種。觀眾可以將書畫中記錄的珍禽異獸和真實世界的動物作比較，沈浸在古人對世界的想像。</div>",
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"title": "畫麒麟沈度頌 軸",
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